See Dozens of Photos From MoMA’s New Galleries That Show How the Museum Is Rebooting the History of Modern Art

Various sculptures by Constantin
Brancusi. Photo: Ben Davis.

Vincent van Gogh, The Starry
Night (1889) and Henri Rousseau, The Sleeping Gypsy
(1897). Image: Ben Davis.

The “Early Photography and Film”
gallery. Image: Ben Davis.

Pablo Picasso’s Les Demoiselles
d’Avignon and Faith Ringgold’s American People Series
#20. Image: Ben Davis.

Pablo Picasso, Boy Leading a
Horse (1905-6), Louise Bourgeois, Quarantania, I
(1947-53), and Pablo Picasso, Bather (1908-9). Image: Ben
Davis.

The “New Expressionism in Germany and
Austria” galleries. Image: Ben Davis.

The “Circa 1913” galleries. Image: Ben
Davis.

Diego Rivera, Cubist Landscape
(1912). Image: Ben Davis.

Center: Vladimir Baranoff-Rossiné,
Symphony Number 1 (1913). Image: Ben Davis.

Henri Matisse, The Red Studio
(1911) and Alma Thomas, Fiery Sunset (1973). Image: Ben
Davis.

Olga Rozanova, War (1915).
Image: Ben Davis.

The “Readymade in Paris and New York.”
gallery. Image: Ben Davis.

The “Readymade in Paris and New York.”
gallery. Image: Ben Davis.

The “Florine Stettheimer and Company”
gallery. Image: Ben Davis.

The “Machines, Mannequins, and Monsters”
gallery. Image: Ben Davis.

“The Vertical City” gallery. Image: Ben
Davis.

Front: Katarzyna Kobro, Spatial
Composition (5) (1929). Image: Ben Davis.

The “Design for Modern Life” gallery.
Image: Ben Davis.

László Moholy-Nagy, EM1,
EM2, and EM3 (Telephone Pictures) (1923). Image:
Ben Davis.

Tarsila do Amaral, The Moon
(1926), Constantin Brancusi, Blonde Negress (1933), and
Fernand Léger, Three Women (1921-22).

“The Surrealist Object” gallery. Image:
Ben Davis.

Meret Oppenheim, Object (1936).
Image: Ben Davis.

Leonora Carrington, And Then We Saw
the Daughter of the Minotaur (1953). Image: Ben Davis.

René Magritte, The Portrait
(1935). Image: Ben Davis.

Elizabeth King Hawley, Hanging
Sphere (ca. 1875) and Unknown, Untitled (1936).
Image: Ben Davis.

Frida Kahlo, Fulang-Chang and I
(1937). Image: Ben Davis.

Front: Amedeo Modigliani, Head
(1915?). Image: Ben Davis.

Works by Frederick Kiesler. Image: Ben
Davis.

William Edmondson, Nurse
Supervisor (ca. 1940). Image: Ben Davis.

The “Responding to War” gallery. Image:
Ben Davis.

Francis Bacon, Painting (1946)
and David Alfaro Siquieros, Collective Suicide (1936).
Image: Ben Davis.

José Clemente Orozco, Dive Bomber
and Tank (1940). Image: Ben Davis.

Peter Blume, The Eternal City
(1934-37). Image: Ben Davis.

Diego Rivera, Flower Festival: Feast
of Santa Anita (1931). Image: Ben Davis.

Lawrence Weiner, A BIT OF MATTER AND
A LITTLE BIT MORE (1976). Image: Ben Davis.

The “New Monuments” gallery. Image. Ben
Davis.

Maria Martins, The Impossible,
III (1946) and Sonja Sekula, The Town of the Poor
(1951). Image: Ben Davis.

Wilfredo Lam, The Jungle (1943)
and Maya Deren, A Study in Choreography for Camera (1945).
Image: Ben Davis.

Jacob Lawrence, The Migration
Series (1940-1). Image: Ben Davis.

Front: David Smith, History of LeRoy
Burton (1956). Image: Ben Davis.

Jackson Pollock, One: Number 31,
1950 (1950). Image: Ben Davis.

Vasudeo S. Gaitonde, Painting,
4 (1962) and Mark Rothko, No. 10 (1950). Image: Ben
Davis.

Isamu Noguchi, Even the
Centipede (1952) and Lee Krasner, Gaea (1966). Image:
Ben Davis.

Sérgio Camargo, Edge (1962).
Image: Ben Davis.

Ellsworth Kelly, Colors for a Large
Wall (1951) and Carmen Herrera, Untitled (1952).
Image: Ben Davis.

Henri Matisse, The Swimming
Pool (1952). Image: Ben Davis.

The “Frank O’Hara, Lunchtime Poet”
gallery with Larry Rivers, Double Portrait of Frank
O’Hara. Image: Ben Davis.

Various artists’ works for “In Memory of
My Feelings” and Robert Motherwell, Elegy to the Spanish
Republic, 54 (1957-61). Image: Ben Davis.

Robert Rauschenberg, Canyon
(1959). Image: Ben Davis.

The “Stamp, Scavenge, Crush” gallery.
Image: Ben Davis.

Marisol, Love 1962). Image: Ben
Davis.

The “At the Border of Art and Life”
gallery. Image: Ben Davis.

Judith Scott, Untitled (2002).
Image: Ben Davis.

Gallery playing films by Andy Warhol.
Image: Ben Davis.

Roy Lichtenstein, Drowning Girl
(1962). Image: Ben Davis.

The “From Soup Cans to Flying Saucers”
gallery. Image: Ben Davis.

Vija Celmins, Bikini (1968) and
Sigmar Polke, Fliegende Untertassen (Flying Saucer)
(1966). Image: Ben Davis.

Dan Flavin, untitled (to the
“innovator” of Wheeling Peachblow) (1969), Anne Truitt,
Catawba (1962), Rasheed Araeen, (3+4)SR (1969),
and Donald Judd, Untitled (1967) in the “Breaking the
Mold” gallery. Image: Ben Davis.

Lawrence Weiner, A 36″ X 36″ REMOVAL
TO THE LATHING OR SUPPORT WALL OF PLASTER OR WALLBOARD FROM A
WALL (1968) and Eva Hesse, Repetition Nineteen III
(1969). Image: Ben Davis.

The “City as Stage” gallery. Image: Ben
Davis.

David Hammons, Free Nelson
Mandela (1987). Image: Ben Davis.

Rammellzee, Alphabet (n.d.),
Image: Ben Davis.

David Tudor and Composers Inside
Electronics Inc., Rainforest V (variation 1). Image: Ben
Davis.

The “Idea Art” gallery. Image: Ben
Davis.

Ewa Partum, (1971-74). Image: Ben
Davis.

Mary Beth Edelson, Some Living
American Women Artists (1972). Image: Ben Davis.

Clip of Jacques Tati’s Playtime
on view in the “Architecture Systems” gallery. Image: Ben
Davis.

Superstudio, Fundamental
Acts:Love (1971-73) and Daniel Grataloup, Urban Proposal
with Multi Thin-Shell Capsules project (1974). Image: Ben
Davis.

Tetsumi Kudo,
Pollution-Cultivation-New-Ecology Underground (1972-73)
and Marisol, Diptych (1971). Image: Ben Davis.

John Outterbridge, Broken Dance,
Ethnic Heritage Series (ca. 1978-82) and Ha Chong-Hyun,
Conjunction 74-26 (1974). Image: Ben Davis.

Paul Thek, Hippopotamus Poison
(1965). Image: Ben Davis.

Benny Andrews, No More Games
(1970). Image: Ben Davis.

Rosemarie Trockel, Books Drafts
(1978-2003) and Spiral Betty (2010). Image: Ben Davis.

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